Hey gang the bus is approachin'
Classic mix of rare groove done by the one and only Mr. Fudge and myself. Muthafuckin DJ Swann
Labels: Diggin For Funk, DJ Swann, Mr. Fudge
Hip-Hop Vinyl Rips, Funny Videos, NBA Basketball
Labels: Diggin For Funk, DJ Swann, Mr. Fudge

Whattup ya'll? I wanted to get this up before 2008 because dude got at me awhile ago about this. This dude's called Has-Lo from Phila and he's real nice with the beats and rhymes. I've been bumping this EP the last couple days and I'm really feeling that track The Usual Way. Anyways here's a little interview I did with him. Hit him up on his blog or MySpace and let him know what you think you leaching dickhead.
peas
Probably Nas. With "Illmatic" and "It Was Written" he changed the way I approached rhyming. Not only did he take his world (basically an inner-city hell hole) and paint it from this intelligent almost existential stand point, the words he was putting together! It wasn't just "sad-glad-mad", it was much more complex. There was an elegance to the wordplay. I wanted that. Plus I can't name a rapper that he ain't influence.
What's the hottest track of the year?
Anything from that "Fuck Has Day" EP. But if I had to pick someone else's track...off hand I'd say the saigon joint.
What's your favourite microphone?
I don't know much about mics but there was this microphone that I used in my friend's studio. A Rode N/T something or other...I made some dope songs there so...that mic.
When you're in the studio recording, do you prefer live instruments or pre-recorded music?
Pre-recorded. I'm a sample dude. It's rare that I have any live instrumentation in my music. I prefer the sound of a dusty old record. The sound of a programmed beat. Give me an mpc and I'm good.
Break down your song writing progress.
I don't like to write with the beat on. It throws off my internal rhythm. One of the hardest parts to me is coming up with the opening line. I usually come up with some bars, turn the beat on, spit 'em to see how they fall on the beat, and just keep adding on that way. I usually write the hook (if there is one) at the end. It takes me longer to write now because I don't want to rehash things. I want to keep the quality high. I don't want the masses to finally catch on and then feel like I'm a one trick pony or something. Gotta keep finding new and different combinations of words, or cadences or whatever.
How do you feel about the music that is being pushed/backed by the record labels/industry at the moment?
If it's a major label, I don't feel any way. A LOT of those albums are trash anyway. Hold them shits forever. I think I've heard my share of Akon hooks for one lifetime. You can't even get excited about albums anymore 'cause they leak 75% of the LP before you can even cop the joint.
Would you rhyme on a track with a coked-up Brittney?
Umm yea. But only if Dj Premier makes the track. And she gotta get puffy to do some Hate Me Now, Life After Death ad-libs. Die muthafucka die muthafucka die! That...would be dumb hot.


Labels: Affion Crockett, Cheddar Mixtape, DJ Swann, F*ck Has Day EP, Has-Lo, MegaMegaMan

M-Boogie - Laid in Full
Jersey of the Day

Labels: DJ Swann, Jim Brown, M-Boogie, Scratch Bastid, Slaves, Wondershowzen

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Muneshine - A Walk in the Park





Labels: Apollo440, Black Eyed Peas, DJ Q-Bert, DJ Swann, Muneshine, Steve Nash, Team Canada