Don't front...You know all I want is - INVINCIBLE BULLY INC.



INVINCIBLE BULLY INC.

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Friday, June 20, 2008

Don't front...You know all I want is



White people have always been renowned for having ridiculously large
music collections. So when file sharing gave white people a chance to
acquire all the music they ever wanted, it felt as though it was an
earned right and not a privilege.

When (not if) you see a white male with a full iPod, ask him if all
of his music is legal. If he does not immediately launch into a
diatribe about his right to pirate music, you might have to nudge him a
bit by saying “do you think that’s right?” The response will be
immediate and uniform.


He will likely rattle off statistics about how most musicians don’t
make any money from albums, it all comes from touring and merchandise.
So by attending shows, he is able to support the musicians while
simultaneously striking a blow against multinational corporations. He
will proceed to walk you through the process of how record labels are
set up to reward the corporation and fundamentally rob the artist of
their rights, royalties and creativity. Prepare to hear the name Steve Albini a lot.


Advanced white people will also talk about how their constant
downloading of music makes them an expert who can properly recommend
bands to friends and co-workers, thus increasing revenues and exposure.
So in fact, their “illegal” activities are the new lifeblood of the
industry.


When they have finished talking, you must choose your next words
wisely. It is considered rude to point out the simple fact that they
are still getting music for free. Instead you should say: “Wow, I never
thought of it like that. You know a lot about the music industry. What
bands are you listening to right now? Who is good?”


This sentence serves two functions: it helps to reassure the white
person that they are your local “music expert,” something they prize.
Also, it lets them feel as though they have convinced you that their
activities are part of a greater social cause and not simple piracy.


If you bring up this issue with white person who says “nah bro, I
don’t give a shit, Dave Matthews has enough money as it is.” You are
likely dealing with wrong kind of white person.


In the even more rare situation where someone says “it’s all paid
for, and it’s all transferred from vinyl.” You have found an expert
level white person and must treat the situation carefully. high.jpg


Because of the availability of music online, a very strict social
hierarchy has been created within white culture whereby someone with a
large MP3 collection is considered “normal,” a large CD collection is
considered to be “better,” and a person with a large vinyl collection
is recognized as “elite.”


These elite white people abhor the fact that music piracy has made
their B-sides, live performances, and bootlegs available to the masses.
Their entire life’s work has been stripped of its rarity in terms of
both object and sound on the record. The best thing you can say to them
is: “vinyl still sounds better.”


However, it is recommended that you do not let this conversation
drag much longer. If you let them continue talking to you they are
likely to spend hours talking to you about bands you’ve never heard of
and providing you with a weekly mix CD of rarities that you do not want.



http://stuffwhitepeoplelike.com


Ahhhhhhh it's too real

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